Role and responsibility

The Editorial Desk is the institutional byline of an in-house team made up of several members of the SlamArtist.com stunt and action-production team. It prepares sourced reporting and analysis, checks source records, separates fact from interpretation, reviews rights, and maintains material updates and corrections.

The byline names the in-house team accountable for the reporting, source review, rights checks, updates and corrections. SlamArtist.com is the publisher and operator, and Ferdi Fischer provides editorial supervision.

Accountability

Questions, evidence and correction requests can be sent to info@stunt.blog. No submission is published automatically.

Coverage and expertise

  • Stunt design
  • Action filmmaking
  • Production safety
  • Action cinematography
  • Stunt history

Published work

  1. Tom Cruise Does His Own Stunts. The Credits Tell a Bigger Storyfeature · 12 min
  2. Action Desert DACH: Visible Craft, Fragmented Pipelineanalysis · 24 min
  3. Why Perfectly Stable Action Can Feel Deadanalysis · 21 min
  4. The Last Mark: How Long Can a Stunt Performer Keep Working?feature · 14 min
  5. The Actor–Double Handoff: What Stunt Coordination Has to Protectanalysis · 10 min
  6. Who Gets In? The Tests That Decide Who Becomes a Stunt Performeranalysis · 19 min
  7. Abolish the Oscar DEI Testopinion · 13 min
  8. The Hours the Call Sheet Misses: Why Time Is Action’s Real Currencyanalysis · 18 min
  9. Seconds on Screen, Weeks in Preparation: Germany’s Stunt-Budget Problemanalysis · 22 min
  10. The Fight Before the Fight: Why Previs Is Production’s Cheat Codeanalysis · 15 min
  11. Why Christopher Nolan's The Odyssey Felt So Incredibly Loudanalysis · 9 min
  12. How to Become a Stunt Performer: The Real Routes Infeature · 24 min
  13. The Stunt Department, Mapped: Who Reports to Whom?feature · 11 min
  14. The Shot Never Happenedanalysis · 13 min
  15. The Invisible Architecture of Actionfeature · 39 min
  16. The IMAX® Film Tax: Is The Odyssey’s Giant Negative Worth It?analysis · 10 min
  17. Buster Keaton Had a Mark. One Hundred Years Later, Stunts Have a PDF.analysis · 28 min
  18. Operators in the Frame: How Hollywood Builds the Military Looktactical · 28 min
  19. The Shot Window: Why Great Stunts Disappear on Cameratechnology · 21 min
  20. Before Stunts Had Credits: The Serial Queensfeature · 12 min
  21. 2027 Will Not Be Won on Setanalysis · 11 min
  22. Producers: The Costliest Action Mistake Often Happens Before the Stunt Budgetanalysis · 12 min
  23. Season Two Cannot Repair an Action Language Season One Never Designedanalysis · 12 min
  24. The Franchise Value No Pitch Deck Can Prove by Itselfanalysis · 12 min
  25. The PDF Does Not Make the Stunt Safesafety · 20 min
  26. The Camera Is Not the Player: How FPS Action Survives the Move to Filmanalysis · 12 min
  27. The Work Behind the Impactinterview · 4 min
  28. The Stunt-Design Award Is Coming. What Will It Actually Reward?feature · 16 min